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Poetic Meter and Poetic Form, by Paul Fussell
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Excerpts from distinctive poems illustrate the author's appreciation of the metrical and formal aspects of poetry
- Sales Rank: #123105 in Books
- Brand: Fussell, Paul
- Published on: 1979-01-01
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .45" w x 5.50" l, .44 pounds
- Binding: Paperback
- 190 pages
From the Back Cover
The title of this book may suggest that it is designed as a latter-day Gradus ad Parnassum to teach aspiring writers to produce passable verses. It is not. It is intended to help aspiring readers deepen their sensitivity to the rhythmical and formal properties of poetry and thus heighten their pleasure and illumination as an appropriately skilled audience of an exacting art.
About the Author
Paul Fussell, critic, essayist, and cultural commentator, has recently won the H. L. Mencken Award of the Free Press Association. Among his books are "The Great War and Modem Memory, " which in 1976 won both the National Book Critics Circle Award and the National Book Award; "Abroad: British Literary Traveling Between the Wars; Wartime: Understanding and Behavior in the Second World War;" and, most recently, "BAD or, The Dumbing of America." His essays have been collected in "The Boy Scout Handbook and Other Observations" and "Thank God for the Atom Bomb and Other Essays." He lives in Philadelphia, where he teaches English at the University of Pennsylvania.
Most helpful customer reviews
85 of 86 people found the following review helpful.
And for the poet!
By Stephanie L. Wilde
Fussell's foreword says that his book is for aspiring readers, not aspiring writers. But if you are an aspiring poet, I think Fussell has something to offer that is absent in most "handbooks".
One of the most important things Fussell addresses is how the form of a poem affects the meaning and impression of the total poem. For example, he notes how many poetic forms are inevitably coloured by their initial or most famous use. He says regarding Tennyson's In Memoriam stanza-form, that it "is now so closely associated with the sturdy, serviceable elegaic atmosphere of In Memoriam itself that...its uses now seem limited to occasions which either resemble or mock the original" (Ch 8 The English Stanzas).
Another chapter that poets will find helpful is Metrical Variations, in which Fussell examines how poets substitute variant feet to create particular effects. Or if your interest is in free verse, he devotes a chapter to examining the characteristics of successful free verse, including how line breaks create effects.
This is not a substitute for a general handbook of poetry, and assumes a minimal knowledge of poetic technique, meter, &c. But if you are serious about reading or writing poetry, I don't think you can afford to miss this book.
77 of 83 people found the following review helpful.
Not for the neophyte, but a tremendous study
By Rocco Dormarunno
When I was 21 and in my first year of graduate school, Paul Fussell's "Poetic Meter and Poetic Form" was one of the first text books assigned to me. When I bought the book and saw how slim it was, I snickered, "Grad school's gonna be a walk in the park!"
Yeah, RIGHT!
This densely packed tome is not for the uninitiated and definitely not absorbed in just one reading. On and off, over the last 20 years, I have come back to this book to refresh my memory and, usually, to astonish myself. The book's real strength, besides Professor Fussell's obvious command of his subject, and his ability to convey that command, is in the sprinkling of dozens of anecdotes by and about poets about other poets and poetry. Even at this late date in my life, I can't pretend to understand the entire book but what I do understand I admire and respect. "Poetic Meter and Poetic Form" is not recommended to anyone studying poetry; it is urgently required.
32 of 32 people found the following review helpful.
a classic in the field of formal verse
By wjg@brooktrout.com
This book is a classic of prosodic exposition. (And understand, when I call a book a classic, I am not just lapsing into a cliche; it really IS a classic.) Fussell shows us the relations between form and content, between rhyme and rhythm on the one hand and the function of these formal devices to illuminate meaning on the other. The book also devotes a chapter to empirical observations on the properties of free verse, and it includes a concise bibliography of other works on prosody. Highly recommended.
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