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The #1 New York Times bestseller that James Dashner called “fantastic,” with “relentless” suspense and an “explosive” climax from Brandon Sanderson, the #1 New York Times bestselling author of Words of Radiance, coauthor of Robert Jordan’s The Wheel of Time series, and creator of the internationally bestselling Mistborn trilogy. And don’t miss the rest of the Reckoners series: Firefight and Calamity.
How far would you go for revenge if someone killed your father?
If someone destroyed your city?
If everything you ever loved was taken from you?
David Charleston will go to any lengths to stop Steelheart. But to exact revenge in Steelheart’s world, David will need the Reckoners—a shadowy group of rebels bent on maintaining justice.
And it turns out that the Reckoners might just need David too.
Look for book two in the Reckoners series, Firefight, available now.
Praise for the Reckoners series
#1 New York Times Bestselling Series
“The suspense is relentless and the climax explosive.” —James Dashner, #1 New York Times bestselling author of the Maze Runner series
“Another win for Sanderson . . . he’s simply a brilliant writer. Period.” —Patrick Rothfuss, author of the New York Times and USA Today bestseller The Name of the Wind
“Action-packed.” —EW.com
“Compelling. . . . Sanderson uses plot twists that he teases enough for readers to pick up on to distract from the more dramatic reveals he has in store.” —The A.V. Club
- Sales Rank: #11300 in Books
- Published on: 2014-09-23
- Released on: 2014-09-23
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .81" w x 5.56" l, .81 pounds
- Binding: Paperback
- 416 pages
Amazon.com Review
Q&A with Brandon Sanderson (Interviewed by James Dashner)
Q. Brandon, you’re perhaps best known for your adult books—Mistborn, The Way of Kings, and particularly for finishing Robert Jordan’s The Wheel of Time series. However, recently you’ve undertaken several projects for younger readers. Why is that? How does it feel to be entering into the world of YA fiction? How does it differ from writing for an adult audience? How do you possibly think you can compete with your friend, James Dashner?
A. I've known this guy James Dashner for so long, and he was such an inspiration to me, and I thought, if this joker can do it, then I can too! The sci-fi/fantasy genre is what made a reader out of me, and it has a long history of crossing the line between YA and adult fiction. For example, you mentioned The Wheel of Time. In the early books, the main protagonists are all teenagers. Are these books YA? The publishers don't classify them that way. They’re shelved with the adult fantasy books. Books like that have influenced me in that some of the stories I tell fit into the mold that society says will package well as YA books. Other stories I tell—that are a thousand pages long—don’t seem to fit that mold. But I don’t sit down and say, “I’m writing for a teen audience now. I need to change my entire style.” Instead, I say, “This project and the way I’m writing it feels like it would work well for a teen audience.”
Q. In previous interviews, you’ve mentioned that you come up with characters, worlds, and magic systems independently and then fit them together to create a book. How is that different when writing a YA book like Steelheart? Are certain worlds or magic systems more suitable for YA readers? And how in the world did you get so smart?
A. Ha! I do a lot of talking about the process of writing. That makes it sound like I’m doing it more consciously than I am, but at this point I do most of it by instinct. I do take things like characters, settings, and magic systems—all these little fragments and pieces—and put them together into stories. Whether I’m writing YA or adult, this process doesn’t vary. Some of these elements feel better suited for a teen audience, so when everything starts coming together as it does when a book is forming for me, some stories naturally gravitate toward YA. To me Steelheart is distinctive because it was one of those stories where all the elements came together at the same time. Once I got the idea—people gaining super powers but only evil people getting them—the story basically started to write itself in my head. It happened during a four-hour drive along the East Coast, where by the end of it, I basically had this entire story. I knew where it was going, and I was really excited to write it. That's rare for me, but sometimes it does happen where everything clicks right at the beginning.
Q. Can you give us a sense of the world in which Steelheart takes place? Why do you think this world worked well for these particular characters?
A. Technically, Steelheart is set in a post-apocalyptic world where super villains gained powers and took over. I wanted it to feel alien and familiar at the same time and to be very visual. So I wrote it to be kind of like an action movie in book form. One of my catchphrases that I use when talking about writing is ”Err on the side of awesomeness.” So I wanted the setting and feel of the book to be visually distinctive and awesome.
When I designed Steelheart, the emperor of Chicago, I wanted him to have the power of transmutation—he turns things into steel. The idea that, in a burst of power, he turned the entire city—and even part of the lake—into steel was fascinating to me. This renders a lot of things useless. When your streetlights and all their wiring have been turned into steel, everything short circuits and doesn’t work anymore. You can’t get into buildings because their doors and windows have been melded together. The whole city has become a shell—like the husk of a dead beetle—and people have built on top of it. It’s always perpetual twilight there, so we’ve got this cool feel of everything being steel at night.
From School Library Journal
Gr 8 Up—After the appearance of Calamity, a mysterious celestial force, ordinary humans began to exhibit superhuman powers. They became known as Epics and used their powers to control others. When David was eight years old, he witnessed his father's ruthless murder at the hand of Steelheart, one of the most powerful Epics in the world. Ten years later, David lives in Newcago (once Chicago) under the tyrannical rule of Steelheart and his inner circle of Epics. David has spent the last decade researching everything he can about Epics: their habits, their powers, and their weaknesses. He wants to join the Reckoners, a secretive group of humans dedicated to killing Epics, and convince them to take on Steelheart. However, even after all his study, David has not figured out the seemingly invincible Epic's weakness-without that knowledge, his plan for revenge cannot succeed. MacLeod Andrews's understated performance of the first-person narration is highly effective and makes the engaging action scenes stand out in contrast. He transitions easily among characters who vary in age, background, and status within the world of humans and Epics. Revelations in the climactic battle add layers and substance to the story, and listeners will look forward to more in future installments.—Amanda Raklovits, Champaign Public Library, IL
From Booklist
*Starred Review* From the day eight-year-old David Charleston watched Steelheart gun down his father, he has vowed revenge. All Epics are powerful—Steelheart the most invincible of all—but each has a weakness, and David thinks he has found Steelheart’s: he has seen him bleed. Now 10 years later, with this experience and years of studying each Epic’s patterns and weaknesses, David worms his way into the Reckoners, a courageous group determined to take down Epics in an attempt to return the Fractured States to some semblance of normalcy. Sanderson has written a riveting dystopian adventure novel replete with awesome tech tools: pen detonators, gauss guns, gravitronic motorcycles, mobiles (smart phones on steroids), and tensor gloves to tunnel through steel. Each Reckoner has his or her own talents: Tia, research and planning; Cody, intelligent grunt work and comic relief; Abraham, weapons and ammunition; and Prof, leader and prime inventor-scientist. Oh, and there’s Megan, new girl with an attitude—especially when it comes to David’s relentless pressure on the Reckoners to stay in Newcago and kill Steelheart. Snappy dialogue, bizarre plot twists, high-intensity action, and a touch of mystery and romance—it’s a formula that sucks readers into the prologue, slings them through one tension-filled encounter after another, and then, at the strange and marginally hopeful conclusion, leaves them panting for the sequel, Firefight, due in 2014. HIGH-DEMAND BACKSTORY: A multiplatform marketing campaign, with promotions happening every month in 2013 leading up to the pub date, has already kicked into high gear for New York Times best-selling Sanderson’s latest. Grades 8-12. --Frances Bradburn
Most helpful customer reviews
157 of 167 people found the following review helpful.
Steelheart is a fast-paced, action-filled, blast of a book
By Storm the Penguin
Steelheart will be my second Sanderson book based in his younger teen fiction category, The Rithmatist being my first. Whereas I felt that The Rithmatist was a bit too corny and "cutesy," I think Steelheart will be a great "gateway" book for younger fans to discover Sanderson's other, more mature, fiction series.
Steelheart is set in a world shaped by "The Calamity," a meteor in the sky which has granted comic-book superhero-style powers to random humans, now called Epics. One of the defining themes in the book being that absolute power corrupts absolutely, there are no superheroes. No X-Men, Spidermans, or Supermans. Normal humans in this world are regarded as little more than slaves. The book follows the main character David, in his quest for revenge against the ruthless, cold-hearted, ruler of Newcago (formerly Chicago) - Steelheart.
While the plot and character development are pretty basic, and while David does suffer a little bit from "The Chosen One" Syndrome, the story is well-paced and makes for a very engaging read. This will probably be one of those books that you end up reading until it's way past bedtime. Fans of Sanderson will immediately recognize some of his quirks - protagonists tending to use their brains rather than brawn, numerous plot-twists, and of course, gratuitous magic system explanations. Steelheart is no exception to this formula.
For the teens - Steelheart is basically a comic book in written form. There's fights, superpowers, puppy-love crushes, and explosions. In fact I could almost hear a Hans Zimmer soundtrack in my head during several of the battles. Sanderson paints a vivid picture through his storytelling, and it won't take much imagination to see the entire book unfurling before you like a movie.
For the parents - Steelheart is a bit on the violent side but is clean on both language and romance. There's quite a few relatively graphic descriptions of firefights and injuries and incidental body count is pretty high. There's a big leap nowadays between Rated PG-13 and R, and I think Steelheart is probably right in between those two. It's not as bad as something you'll see on HBO/Showtime, but it's not nickelodeon-clean either. Something like primetime cable network violence.
For the adult Sanderson fans - the corny language will probably be the first thing that sticks out to you; the second thing will be the bluntness. It's always amusing to read something like Steelheart after re-reading The Way of Kings - same author but completely different voices. If you're already a fan of Sanderson, Steelheart will be very familiar ground and you won't feel out of place at all. With the exception of the depth of character and plot. There's not a whole lot of subtext comparatively to his adult works, but honestly I found that a bit refreshing. It's like having to play politics at the office versus hanging out with friends.
Steelheart was a great read and is a stand out in the crowded teen fiction market. For the adult Sanderson fans, I still consider this book a "buy". Honestly it reminded me quite a bit of his Mistborn Trilogy (and everything that entails). I inhaled this book in two days, and if it wasn't for that pesky need for sleep, I probably would have done it in a single sitting. It's honestly just a fun, action-packed, page-turner of a book.
20 of 21 people found the following review helpful.
Good overall, but some major flaws for me.
By ZzAzZ
I'm going to seperate this into the good and the bad to make it easier to gather my thoughts on the book. It really had some major ups and downs. Some minor spoilers may be ahead.
Let's start with the bad:
1. This book really beat you over the head with some of the characters, the humor, and the love story. For instance, the character of Cody and his relentless made up storytelling that no one bought, and everyone got tired of. Every chance he got, there was another story he was telling that was exaggerated or just complete nonsense.
2. The humor. How many times do I have to hear about how bad the David (the main character) is at coming up with metaphors. It's really like every 5 minutes he goes into another one, only to explain, yet again, how bad he is at them. Maybe it would have been funny if you weren't beat over the head with it over and over. Same goes for Cody and his outlandish stories, we get it.
3. The love story. It really felt as if it was told through the perspective of a 12 year old. And was another thing that was beat over your head over and over. David finds Megan extremely beautiful, we got it, I don't need to be reminded every time they were involved in the same scene.
4. A lot of the book revolved around the mystery of what Steelheart's weakness was. Now obviously not everyone is going to have this problem, but I felt like I knew pretty early on, and it was a bit frustrating knowing I'd have to get to the end to find out, and I was right, which added to the frustration.
The good:
1. All of that said, the plot, the epics, the city and the structure of the society were all very cool and well done. The name Newcago wasn't very creative to me, but just a minor detail.
2. The idea of the Reckoners, the tools they use, and then the twists and turns as the story goes along, especially at the end, really redeemed the story for me. Prof and Abraham were very cool characters in my opinion. I loved the surprises, and the ending solution, as said on the cover, really was pretty awesome and did not see that coming.
3. It was full of action and suspense, there wasn't really a lot of dull down time or any parts where it really felt like it was moving slow for me.
Overall, if you can get past the very cheesy, beating-a-dead-horse to make absolutely sure you're getting the humor YA aspects of the book, it's well worth a read. Despite the negatives, I will be waiting for the next book in the series and have already read the interlude short story Mitosis which was pretty good as well.
120 of 145 people found the following review helpful.
Good new series, not his best work.
By Roman
Brandon Sanderson is an very fast writer that consistently produces good book after good book. I've been a fan of him since Elantris and I always rush out to buy whatever new book he has. His work, although formulaic, is enjoyable to read and always feels high in quality.
Steelheart is set in a futuristic, post-apocalyptic Chicago. The denizens of the book call this new Chicago 'Newcago' (yeah I wondered about that as well). The story follows David, a young man entranced with the world's new Epics. Epics are superhumans that used to be mortals until a meteor named Calamity appeared in the sky. David is obsessed with bringing vengeance on one particular epic, Steelheart.
Now that we have the basic plot down we can go into a bit of review. I won't try to spoil anything but be warned that most reviews will have a bit of spoilers in them. Steelheart is a book with excellent pacing in the drama and action departments, but I can't help but feel it was a bit too formulaic. Its almost as if Brandon was writing this as a school project rather than trying to publish it. The main character is again a bit of a know-it-all who falls for a cute girl. There is an older, mysterious character that always saves the day. There is a mysterious magic source that no one really understands. This is all textbook Sanderson, and if you've read his previous books you will feel right at home here.
Besides the obvious use of a worn formula I found this book enjoyable. The action scenes were consistent and well-paced. His New Chicago felt like an actual city and most of his characters exhibited varying personalities. The main characters were (mostly) given detailed back stories that were entertaining to read about and sometimes crucial to the plot.
Overall if you're a fan of Sanderson you will most likely read this book in an afternoon. However, if you never heard of the guy's works I would recommend picking up one of his other excellent series, such as Mistborn or Way of Kings, before jumping into this one.
See all 1918 customer reviews...
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