Kamis, 28 Juli 2011

[H267.Ebook] Fee Download Learn How to Draw Cartoons - For the Absolute Beginner (Learn to Draw Book 2), by John Davidson, Adrian Sanqui

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Learn How to Draw Cartoons - For the Absolute Beginner (Learn to Draw Book 2), by John Davidson, Adrian Sanqui

Learn How to Draw Cartoons - For the Absolute Beginner (Learn to Draw Book 2), by John Davidson, Adrian Sanqui



Learn How to Draw Cartoons - For the Absolute Beginner (Learn to Draw Book 2), by John Davidson, Adrian Sanqui

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Learn How to Draw Cartoons - For the Absolute Beginner (Learn to Draw Book 2), by John Davidson, Adrian Sanqui

A quick and easy way to illustrate an idea is by using cartoons.
Artists use this kind of theme when targeting young viewers or those who’s a little less of art critic and more into the message of the picture being portrayed clearly.

Cartoons are “eye candies” that can easily capture people’s attention because of its stereotypical and simply understandable nature. This is also the reason why it is widely used by advertisers when presenting a service or a product.

This book will teach you how to start drawing your own cartoon characters in a semi-realistic form and how to finish your illustrations easily. It will show you how to produce a traditional quality cartoon drawings and the fundamentals of illustrating your ideas properly.

This step-by-step instruction manual is a great start for beginners and an additional knowledge or guidelines for amateur illustrators.

Learn the very basics of cartoon and start making your own comics or detailed illustrations. Find out how to make a variety of different facial features to improve your characters’ appearance. Turn your thoughts into pictures and explore your creative side while having fun.

TABLE OF CONTENTS

INTRODUCTION
TYPES OF CARTOON
ELEMENTS OF A CARTOON
•Large Heads
•Body Proportions
•Props and Objects
EXPRESSIONS
•Additional Details for Portraying Cartoon Expressions
FACIAL FEATURES
•Eyes
•Nose
•Mouth
•Ears
DRAWING A SCENARIO
AGING YOUR CHARACTER

  • Sales Rank: #388917 in eBooks
  • Published on: 2013-06-27
  • Released on: 2013-06-27
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Learning to draw cartoons is amatter of perspective
By Blueram
Alth0ugh the book assumes little knowledge of drawing, the beginners that are referred to are people who have a fair bit of experience in the world of faces. This is a great book for someone who is looking to understand the background of drawing a cartoon person and the perspectives to use. For a budding artist, the information is superb, but it does somewhat take the ability to draw at some relatively good level for granted.

This is not a drawing cartoons for dummies, it is much richer and packed with the tricks of perspective and drawing the human face and structure. If you want to understand the various parts of the drawing, feature by feature, this is the book to use. Each part of the face is highlighted and shown what is needed to draw it effectively. By putting it all together, a person with an aptitude for drawing will be able to produce competent cartoons and caricatures rapidly.

2 of 2 people found the following review helpful.
maybe for the beginner, but not for me
By DBM
was extremely complicated and not at all what I had expected. This was not an easy book to follow. I quickly lost interest.

1 of 1 people found the following review helpful.
A quick course in cartooning
By James Hoag
I have always wanted to learn to draw. I bought this because I thought cartoons would be a good place to start. This is a very good introduction into the world of cartoons with lots of illustrations that you can copy and try to reproduce. After trying this a little, I found that learning to draw, even cartoons, will take some time, but if you follow the directions in this book, you'll be on your way to being a cartoonist.

See all 6 customer reviews...

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Senin, 25 Juli 2011

[L771.Ebook] Ebook Download Interest Rate Models - Theory and Practice: With Smile, Inflation and Credit (Springer Finance), by Damiano Brigo, Fabio Mercurio

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Interest Rate Models - Theory and Practice: With Smile, Inflation and Credit (Springer Finance), by Damiano Brigo, Fabio Mercurio

The 2nd edition of this successful book has several new features. The calibration discussion of the basic LIBOR market model has been enriched considerably, with an analysis of the impact of the swaptions interpolation technique and of the exogenous instantaneous correlation on the calibration outputs. A discussion of historical estimation of the instantaneous correlation matrix and of rank reduction has been added, and a LIBOR-model consistent swaption-volatility interpolation technique has been introduced.

 

The old sections devoted to the smile issue in the LIBOR market model have been enlarged into a new chapter. New sections on local-volatility dynamics, and on stochastic volatility models have been added, with a thorough treatment of the recently developed uncertain-volatility approach.

Examples of calibrations to real market data are now considered.

 

The fast-growing interest for hybrid products has led to a new chapter. A special focus here is devoted to the pricing of inflation-linked derivatives.

 

The three final new chapters of this second edition are devoted to credit.

Since Credit Derivatives are increasingly fundamental, and since in the reduced-form modeling framework much of the technique involved is analogous to interest-rate modeling, Credit Derivatives -- mostly Credit Default Swaps (CDS), CDS Options and Constant Maturity CDS - are discussed, building on the basic short rate-models and market models introduced earlier for the default-free market. Counterparty risk in interest rate payoff valuation is also considered, motivated by the recent Basel II framework developments.

  • Sales Rank: #114057 in Books
  • Brand: Brand: Springer
  • Published on: 2006-08-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 2.13" w x 6.14" l, 3.60 pounds
  • Binding: Hardcover
  • 982 pages
Features
  • Used Book in Good Condition

Review

From the reviews:

SHORT BOOK REVIEWS

"The text is no doubt my favorite on the subject of interest rate modeling. It perfectly combines mathematical depth, historical perspective and practical relevance. The fact that the authors combine a strong mathematical (finance) background with expert practice knowledge (they both work in a bank) contributes hugely to its format. I also admire the style of writing: at the same time concise and pedagogically fresh. The authors’ applied background allows for numerous comments on why certain models have (or have not) made it in practice. The theory is interwoven with detailed numerical examples…For those who have a sufficiently strong mathematical background, this book is a must."

From the reviews of the second edition:

"The book ‘Interest Rate Models – Theory and Practice’ provides a wide overview of interest rate modeling in mathematical depth. … The authors found a good approach to present a mathematically demanding area in a very clear, understandable way. The book will most likely become … one of the standard references in the area. … if one were to buy only one book about interest rate models, this would be it." (David Skovmand and Michael Verhofen, Financial Markets and Portfolio Management, Vol. 21 (1), 2007)

"This is the book on interest rate models and should proudly stand on the bookshelf of every quantitative finance practitioner and student involved with interest rate models. If you are looking for one reference on interest rate models then look no further as this text will provide you with excellent knowledge in theory and practice. … is simply a must for all. Especially, I would recommend this to students … . Overall, this is by far the best interest rate models book in the market." (Ita Cirovic Donev, MathDL, May, 2007)

"This is a very detailed course on interest rate models. Its main goal is to construct some kind of bridge between theory and practice in this field. From one side, the authors would like to help quantitative analysts and advanced traders handle interest-rate derivatives with a sound theoretical apparatus. … Advanced undergraduate students, graduate students and researchers should benefit from reading this book and seeing how some sophisticated mathematics can be used in concrete financial problems." (Yuliya S. Mishura, Zentralblatt MATH, Vol. 1109 (11), 2007)

From the Publisher
Please note that the first edition is out of print and the second will be available in March 2006 (ISBN 3540221492)

Most helpful customer reviews

5 of 6 people found the following review helpful.
Extremely detailed
By Dr. Lee D. Carlson
The modeling of interest rates is now a multi-million dollar business, and this is likely to grow in the years ahead as worries about quantitative easing, government budgets, housing markets, and corporate borrowing have shown no sign of abatement. The approach that the authors take in this book has been branded as too "theoretical" by some, particularly those on the trading floors, or those antithetic to modeling in the first place. The authors though are aware of such reactions to financial modeling, and actually devote the end of the book to a hypothetical conversation between traders and modelers (but omitting some of the vituperation that can occur between these groups). The book is written very well, with calculation steps for the most part included in detail. Since it is a monograph, there are no exercises, but readers will find ample opportunities to fill in some of the calculations or speculate on some of the many questions that the authors list in the beginning to motivate the book. These questions are invaluable for newcomers to the field, or those readers, such as this reviewer, who are not currently involved in financial modeling but are very curious as to the mathematical issues involved. There is also an excellent list of "theoretical" and "practical" questions in the preface that the authors use to motivate the book, along with a detailed summary of upcoming chapters.

The first part of the book sets the tone for the rest of the book, and can be considered as an elementary introduction to the theory of contingent claim valuation. In this discussion the authors focus on a portfolio consisting of riskless security (bond) and a risky security (stock) that pays no dividend. The object is to follow the time evolution of the price of these two securities. The time evolution of the riskless bond is merely exponential, as expected, but that of the risky security is random according to a geometric Brownian motion. The `trading strategy' consists of holding a number of units of each of these securities at each time. All changes in the value of the portfolio can be shown to be entirely due to capital gains, with none resulting from the withdrawal or infusion of cash. The authors refer to this as a `self-financing' strategy, and the initial investment results in a pattern of cash flows that replicates that of a call option. This option is attainable by dealing only in a stock and a bond. This leads to the question as to what class of contingent claims a group of investors can actually attain, where a contingent claim is viewed as a nonnegative random variable which is measurable with respect to a filtration of a probability space. This filtration can be viewed as essentially a collection of events that occur or not depending on the history of the stock price. The bearer will obtain a payment at expiry, the size of which depends on the prior price history.

A contingent claim is said to be `attainable' at a particular price if there exists a self-financing trading strategy, along with an associated market value process that equals the initial prices and equals the contingent claim at expiry. It is shown that every contingent claim is attainable in a complete market. The goal is then to find conditions under which arbitrage is impossible, i.e. conditions that prevent the occurrence of a zero investment and through some trading strategy is able to obtain a positive expected wealth at some time in the future. The authors show that a market is free of arbitrage if and only if there is a martingale measure, and that a market is complete if and only if the martingale measure is unique.

It was primarily the interest of this reviewer in analytical models rather than Monte Carlo simulations, even though there is a thorough discussion of the latter in this book, including the most important topic of the standard error estimation in simulation models. For analytical modeling, the Vasicek model is usually the first one discussed in the literature, and this book is no exception. But the Vasicek model allows negative interest rates and is mean reverting. The authors want to go beyond this model by searching for one that will reproduce any observed term structure of interest rates but that will preserve analytical tractability. One of these, the Cox-Ingersoll-Ross (CIR) model, is analytically tractable and preserves the positivity of the instantaneous short rate. Ample space in the book is devoted to a discussion of this model, which is essentially one where one adds a "square root" to the diffusion coefficient.

Physicists who aspire to become financial engineers may find the discussion on the change of numeraire to be similar to the "change in gauge" in quantum field theory. In the latter, a clever choice of gauge can make calculations a lot easier. The same goes for a choice of numeraire for pricing a contingent claim, and the authors give a detailed overview of what is involved in doing so. Of particular importance in this discussion is the role of the Radon-Nikodym derivative, a concept that arises in measure theory, and also the use of Bayes rule for conditional expectations. To fully appreciate this discussion, if not the entire book, readers will have to have a solid understanding of these concepts along with stochastic calculus and numerical solution of stochastic differential equations.

Interestingly, the authors devote a part of the book to the connection between interest rate models and credit derivatives, wherein they argue that credit derivatives are not only interesting in and of themselves, but that the tools used to model interest rate swaps can be applied to credit default swaps to a large degree. Of particular importance is the appearance of copulas in chapter 21, which have been criticized lately for their alleged role in the "financial crisis". The authors give an overview of these entities for the curious reader but do not use them in the book.

Some readers may find when first exposed to `reduced form models' that they might seem too extreme or judged to be inapplicable because default is viewed as being essentially independent of market observables. Instead default is modeled by an exogenous jump stochastic process. The authors spend a fair amount of time explaining why these models are suitable for credit spreads. In particular, they show that the probability to default after a given time, i.e. the `survival' probability, can be interpreted as a zero coupon bond and the intensities as instantaneous credit spreads. Positive interest short-rate models can therefore be used to do default modeling. The lack of an economic interpretation for the default event is to be contrasted with term structure models, and the authors discuss this in detail.

Structural models on the other hand are tied to economic factors, namely the value of the firm, i.e. its ability to pay back its debt. If this value drops below a certain level, the firm is taken to be insolvent. The authors give a brief overview of structural models, emphasizing their similarities to barrier-free option models, but do not treat them in detail in the book, since they do not have any analogues to interest rate models. For credit risk, the defaultable zero coupon bond is the analog of the zero coupon bond for interest rate curves. The forward rate for credit default swaps also has an analog with LIBOR and SWAP rates. Readers interested in counterparty risk will be exposed to an interesting assertion, namely that the value of a (generic) claim that has counterparty risk is always less than the value of a similar claim whose counterparty has a probability of default equal to zero. The authors give a rigorous formulation of this assertion by proving a general counterparty risk pricing formula.

Poisson processes, used heavily in network modeling and queuing theory, are discussed here in the authors' elaboration of intensity models, along with Cox processes where the intensity is stochastic. Detailed examples are given which illustrate how to use reduced form models and market quotes to estimate default probabilities.
Monte Carlo simulations, which are the bread and butter of financial modeling (along with many other fields of modeling) are used to simulate the default time. The authors address the problem of large variance and the consequent large number of simulations needed if the standard error is just one basis point. Techniques of variance reduction in Monte Carlo simulation are well-known, and the authors discuss one of these, the control variate technique.

Also discussed is a hybrid model where both interest rates and stochastic intensities are involved, and the authors show how to calibrate survival probabilities and discount factors separately when there is no correlation between the interest rates and intensities. The calibration must then be done simultaneously when this is not the case. One is led to ask in this case, and in general, whether interest rate data can serve as a proxy of default calibration, and vice versa. Not really, but the authors do explain how the correlation can be ignored, since it has little impact on credit default swaps.

Ensuring that interest rates remain positive is thought of as an important side constraint by many modelers, who point to the large negative rates that may occur in Gaussian models of interest rates. One model that particularly stands out in this regard is due to B. Flesaker and L. Hughston, and which is discussed in one of the appendices in the book. Their strategy is to enforce positivity via the discount factor, and doing this in such a way so as to eliminate the possibility of "explosions", i.e. situations where the payoff can become infinite in an arbitrarily short time. Their model can essentially be characterized by an integral representation for discount bonds in terms of a family of kernel functions. The members of this family are positive martingales, and this ensures the required positivity. Their behavior under a change of measure involves a ratio called the `state-price density' or `pricing kernel', and this shows that the Flesaker-Hughston model can be interpreted as a general model of interest rates. Arguments are given as to whether all choices of kernel can result in viable interest rate models. Examples are given illustrating that not all can be, but the Flesaker-Hughston model is interesting also in that it does not depend on possibly highly complex systems of stochastic differential equations for interest rate processes. The authors unfortunately do not include a discussion on how to calibrate this model to market data, but instead delegate it to the references.

Note: This book was read and studied between the dates of September 2007 and July 2011.

1 of 1 people found the following review helpful.
Great book
By Kasper Sørensen
I really, really like this book. Chapter 2 and chapter 6 make this book all worth buying. Especially if you take into account Brigo's own lecture notes on the homepage [...] I don't think chapter 7&8 are very good but the chapters about volatility are really great. The rest of the book I haven't read yet. Really worth buying if you are in to interest models!

1 of 1 people found the following review helpful.
Very good and useful book.
By TUNG, MENG-YUN
The most useful book about complex interest rate products.
The depth and breadth of this book is impressive.
The author did a good balance between theory and practice.

See all 13 customer reviews...

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Minggu, 17 Juli 2011

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The Girl from Venice, by Martin Cruz Smith

A beautiful, heart-wrenching novel from the New York Times best-selling author of Tatiana and Gorky Park, set against the dangers of Italy in World War II as a young couple must outrun the Nazis to protect their forbidden love.

Venice, 1944. The war may be waning, but the city is still occupied and people all over Europe fear the power of the Third Reich. One night, under a sky of brilliant stars, a poor fisherman named Cenzo comes across a girl's body floating in the lagoon. He carries her into his boat and soon discovers that she is very much alive and very much in trouble: Born to a wealthy Jewish family who has been captured and deported by the Nazis, Guilia is on the run after she was found hiding in a local hospital. Cenzo decides it's the right thing to do to help her escape, never anticipating an innocent act of chivalry would quickly turn to love as the two grow closer.

Set against the beauty, mystery, and danger of World War II, The Girl from Venice is a sweeping and romantic love story from one of our most celebrated contemporary suspense writers.

  • Sales Rank: #2606 in Audible
  • Published on: 2016-10-18
  • Released on: 2016-10-18
  • Format: Unabridged
  • Original language: English
  • Running time: 490 minutes

Most helpful customer reviews

4 of 4 people found the following review helpful.
Smart & beautiful writing, terrific story, well-drawn characters, believable - a winner!
By DHY
Terrific read and a wonderful sense of Venice and Italy at the end of the war. The fisherman/fish were a smartly-used metaphor/parallel story throughout, for example, early on, we learn that you can't get squid/octopus because you can't see them unless they blink, and that comes back into the story later in a masterful way. Every detail in the first third of the book is addressed in the rest of the book. There's nothing superfluous. He chooses every word for a reason, and there's a payoff on everything he introduces. Besides being a great story, I'm rooting for the Guilia and Cenzo, and not disappointed in the end - but it wasn't schmultz. I just can't say enough about this man's writing. It's smart. Really smart. I recommend this book highly. It's the kind of book (along with his Renko novels) that I will get out and reread, just for the joy of reading the writing. Well done!

3 of 3 people found the following review helpful.
The Arkady Renko novels are far more engaging
By Mal Warwick
Martin Cruz Smith is best known for the eight novels featuring Moscow police investigator Arkady Renko. I’ve read and admired them all. However, before creating the character of Arkady Renko in 1981, Cruz had written 17 previous works of fiction, all of them mysteries and nearly all under pseudonyms. His latest book, The Girl From Venice, appears to be a more serious undertaking. It’s a standalone novel set in Venice in the closing weeks of World War II. Though sometimes described as a thriller, it’s billed as a love story. I found it disappointing.

A fisherman who’s more than a fisherman

When we first meet Vincenzo (“Cenzo”) Vianello, we’re led to believe that he’s a simple fisherman who lives in a village just outside Venice. He’s nothing of the sort, however. He’s a painter whose work is admired locally, and his older brother, Giorgio, is a war hero and one of Italy’s most famous film stars. Cenzo so closely resembles Giorgio that he’s able to pass for him.

The SS and the extermination of Jews in Venice

The Girl From Venice is Giulia Silber. As the novel opens, Cenzo discovers her floating in a lagoon. She looks dead but is simply faking it. When a German patrol boat stops Cenzo’s boat for an inspection, she somehow manages to hide undetected. But a drunk SS officer goes on a rampage on the boat, inadvertently threatening her life. Cenzo kills him to save her. It turns out that Giulia is Jewish. She was the only one to escape from the mental hospital where she, her family, and other wealthy Venice Jews had been hiding out for several years. Even though Germany has clearly lost the war, and the end is no more than a few weeks away, the SS has mounted a search to find and kill Giulia.

Nazi generals, movie stars, and a “Swiss” film director

In the unfolding action, we meet Nazi generals who want to sue for peace, a “Swiss” film director, Giorgio and one of the actresses he’s sleeping with, the Argentine consul and his wife, and a bartender in Cenzo’s village who is connected to the partisans. At the center of the story is Cenzo’s courageous effort to move Giulia out of harm’s way toward the American lines. Naturally, along the way, the two fall in love despite the disparity in their ages: she’s 18, he’s 28.

Others have written better novels along these lines

Other American authors have covered similar territory and written better stories along these lines. Philip Kerr, Alan Furst, and Joseph Kanon, in particular, have all dug deeply into the reality of Europe under the Nazis and produced thrillers that are engrossing, grounded in historical fact, suspenseful, and entertaining. The Girl From Venice comes up short on this yardstick.

8 of 10 people found the following review helpful.
4 and 3/4 stars. If you've never read Martin Cruz Smith before you're in for a treat....many treats
By Kenneth C. Mahieu
I am a big fan of Martin Cruz Smith. I have read all eight books of the Arkady Renko series, and I have also read his excellent stand-alone "December 6". Yet it was the plot description of "The Girl From Venice" (GV) that attracted me most to the book - Venice, WWll, a mysterious girl floating in the lagoons. It was a very enjoyable read with a good balance of romance, drama, humor, and history. The war is quickly coming to an end, perhaps the most perilous time of all. Early one pre-dawn morning, protagonist Cenzo, a 28 year old not-so-simple fisherman and widower, catches his biggest fish of all time. Her name is Giulia, and it's not clear how old she is, perhaps 15, maybe 18 as she claims. Apparently she is the sole survivor of several Jews slaughtered in a raid at the hospital in which they were hiding.

Cenzo, the self-described supporter of his family including his mother and widowed sister-in-law is anxious to release his catch before she is caught with him by one of the many hostiles that are pursuing her, from local officials to multiple partisan gangs, to the German Army. And then there's Giorgio, the older brother, famous movie actor, a cad who seduced Gina, Cenzo's late wife.....and Hugo's wife too. Hugo's the other brother; he's dead too. Mom Sofia isn't too crazy about Giulia - after all she's Jewish, and the town custom is that Cenzo is supposed to marry his dead brother's widow! Before long, it becomes a case of "where's Guilia?" "where's the gold?" so much more complicated than Cenzo's usual worry, "where're the fish?".

There are many other interesting characters and there's a fair amount of running around, but this never becomes slapstick. Rather, there are many somber notes too, just to remind us this isn't a Frank Capra romance. When Giulia chops most of her hair off to disguise herself as an apprentice fisherman, Cenzo is reminded of the punishment meted out to the townswomen who had become too friendly with occupying troops.

Even so, there are occasional one-liners from Cenzo and friends very reminiscent of the wit, wisdom and wry humor of Renko. Two examples, "How's the smuggling going, Nido?" Giorgio asked. "Without fuel for my motorboat, I've become a very honest man." There is lot of bombing toward the end, and the US is not universally viewed as a savior. Giorgio is quizzed by a supposed German film director: "You just came in from.....?" asked Otto Klein. "Venice," Giorgio said. "And....." Otto hesitated. "It's still there."

A good story, interesting, well written. Moves along nicely. No bad words, sex is implied and then the scene fades to black. Recommended. If you've never read MCS before, be sure to read "Gorky Park".

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